I'm cutting this idea because it's not clear. My idea was to have this character look around excitedly at other people in the room to visualize his anticipation to other characters before diving into his gift, but I think it's simpler to have him focus on what's in front of him. Especially since I don't establish that there might be multiple characters in the scene.
I'm overwriting these frames so that the character has a change in his line of action after he realizes that the gift wasn't what he wanted. I think it serves to contrast his changing thoughts.
Looking at it now, I might even have him revert back to his straight back pose immediately after his initial recoiling to flow better into the next pose. Just typing out loud.
On to the next phase.
No comments:
Post a Comment